<\/span><\/h2>\nThis imprint is part of the larger CommonWealth media group, but its focus is crystal-clear: education and parenting. If your manuscript has to do with childhood development, modern pedagogy, or parenting strategies, this is a natural fit.<\/p>\n
They\u2019ve built deep trust with Taiwan\u2019s educators, so the ripple effect of publishing here often includes schools, workshops, and speaking engagements. Authors with both content and expertise (teachers, psychologists, counselors) will find strong synergy.<\/p>\n
<\/span>8.\u00a0\u00a0\u00a0 <\/strong>Crown Culture Corporation<\/strong><\/span><\/h2>\nI often tell authors that Crown Culture isn\u2019t just a publisher; it\u2019s a storytelling hub. They don\u2019t shy away from publishing daring fiction, but they also have their eye on multimedia.<\/p>\n
I\u2019ve seen novels from Crown leap into film and television adaptations, which makes them appealing to authors with cinematic ambitions. If you\u2019re a novelist or dramatist hoping for your story to reach beyond the page, Crown\u2019s connections could be your golden ticket.<\/p>\n
<\/span>9.\u00a0\u00a0\u00a0 <\/strong>Dala Publishing Company<\/strong><\/span><\/h2>\nAs a subsidiary of Locus Publishing, Dala carved its identity by focusing on comics and European graphic works. In my consulting work, I\u2019ve seen graphic novelists often underestimate the Taiwanese market, but trust me\u2014it\u2019s both vibrant and discerning.<\/p>\n
Dala is proof: they understand that comics are literature, not fluff. For illustrators, this is an excellent local partner, especially if your work carries a literary or cross-cultural flavor.<\/p>\n
<\/span>10. <\/strong>Delight Press (Systex Corporation)<\/strong><\/span><\/h2>\nMost writers overlook technical publishers, but Delight Press fills an important niche. They\u2019re tied to IT and technology, producing software guides, professional texts, and data-driven resources.<\/p>\n
If you\u2019re a developer who has thought about turning your expertise into a book, this is a house that values clarity and practicality over fluff. A book here isn\u2019t about bestseller lists\u2014it\u2019s about cementing your authority in a technical field.<\/p>\n
<\/span>11. <\/strong>Emily Publishing Co., Ltd.<\/strong><\/span><\/h2>\nEmily Publishing may not be the largest, but that can be to your advantage. Smaller houses like this tend to offer closer editorial relationships.<\/p>\n
They\u2019ve made a name by selectively acquiring both fiction and nonfiction, often pulling in titles from abroad. From an author\u2019s standpoint, working with Emily can mean greater flexibility in shaping your vision, rather than being slotted into a rigid commercial formula.<\/p>\n
<\/span>12. <\/strong>Gaea Books Co., Ltd.<\/strong><\/span><\/h2>\nGaea Books leans into imagination. They specialize in genre-forward fiction and pop-culture-adjacent nonfiction, and I\u2019ve often recommended them to authors whose work doesn\u2019t neatly fit into \u201cliterary\u201d or \u201cmass-market\u201d categories.<\/p>\n
They champion bold ideas, and in Taiwan\u2019s increasingly competitive publishing scene, they\u2019re a safe harbor for creative risk-takers.<\/p>\n
<\/span>13. <\/strong>Kang Hsuan Educational Publishing Group<\/strong><\/span><\/h2>\nEvery country has a few dominant educational publishers, and Kang Hsuan is Taiwan\u2019s. Their focus is on early education and curriculum-based content, and they\u2019re deeply entrenched in the school system.<\/p>\n
For authors producing teaching guides, children\u2019s reference works, or supplemental learning materials, this is one of the most effective ways to reach students and parents at scale.<\/p>\n
<\/span>14. <\/strong>Light Press (Cite Publishing Ltd.)<\/strong><\/span><\/h2>\nLight Press sits within the larger Cite Publishing ecosystem, and their focus is on trade nonfiction with a cultural edge.<\/p>\n
They package books with aesthetic precision, which is increasingly important in a market where visual presentation influences bookstore sales. Authors working in lifestyle, essays, or cultural analysis will find that Light Press pairs editorial insight with modern design sensibility.<\/p>\n
<\/span>15. <\/strong>Linking Publishing Co.<\/strong><\/span><\/h2>\nA powerhouse for humanities and social sciences. Linking Publishing is where academics and serious nonfiction writers turn when they want their work to live beyond the ivory tower but still carry intellectual weight.<\/p>\n
I\u2019ve seen Linking titles in both bookstores and university syllabi, which is rare. For researchers looking to reach general audiences\u2014or authors writing deeply contextual books\u2014this is an ideal bridge.<\/p>\n
<\/span>16. <\/strong>Little Bear Books (Republic Publishing Group)<\/strong><\/span><\/h2>\nRepublic Publishing is a group with several arms, but Little Bear is their jewel for children\u2019s literature. They handle picture books, chapter books, and YA, and they\u2019re remarkably supportive of local Taiwanese talent, not just imports.<\/p>\n
If you\u2019re writing or illustrating for young readers, Little Bear has the infrastructure to make sure your work lands in both bookstores and classrooms.<\/p>\n
<\/span>17. <\/strong>Locus Publishing Company<\/strong><\/span><\/h2>\nVersatility is Locus\u2019s strength. They span memoir, lifestyle, self-help, and fiction, which makes them one of the most approachable houses for new authors.<\/p>\n
What I\u2019ve observed with Locus is their attention to voice\u2014they like authors who sound authentic, whether in personal storytelling or professional expertise. If you\u2019re unsure where your work fits, Locus is often a good first submission target.<\/p>\n
<\/span>18. <\/strong>Marco Polo Press (Cite Publishing Ltd.)<\/strong><\/span><\/h2>\nAs the name suggests, Marco Polo Press loves travel and place-based writing. They champion travel narratives, memoirs, and essays that reveal culture through a writer\u2019s lens.<\/p>\n
What I find admirable is that they don\u2019t just publish \u201cguidebook\u201d style content\u2014they look for storytelling that transports readers. For travel writers and memoirists, this is a publisher that will treat your work as literature, not brochure copy.<\/p>\n
<\/span>19. <\/strong>MirrorFiction Inc.<\/strong><\/span><\/h2>\nMirrorFiction is a fascinating hybrid: part publisher, part content incubator. They\u2019re not just acquiring novels\u2014they\u2019re actively developing IP for multi-platform adaptation.<\/p>\n
I\u2019ve seen them nurture projects that begin as short stories and eventually become TV dramas or films. For fiction authors with commercial instincts, MirrorFiction can be a strategic partner because they think beyond the printed page.<\/p>\n
<\/span>20. <\/strong>Motifpress Co., Ltd.<\/strong><\/span><\/h2>\nMotifpress has earned respect by curating quality, risk-taking literature. They don\u2019t chase trends; they define them.<\/p>\n
For authors writing works with strong literary ambition or experimental style, Motifpress offers editorial rigor and critical recognition. Publishing here may not guarantee blockbuster sales, but it positions you within Taiwan\u2019s literary conversation\u2014a priceless asset for long-term author credibility.<\/p>\n
<\/span>21. <\/strong>Linking Publishing<\/strong>